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I
was late for this particular meeting and when questioned by Mr.
Ashkenazi as to my whereabouts, I mentioned a prior meeting with
then L.A. City Attorney Jim Hahn to come up with an innovative solution
to the city's deadly gang violence epidemic. This is when I came
to realize that Annett Wolf was not your garden variety Great Dane.
After the meeting she cornered me and said, "My friend you must
tell me all about this thing you are doing with the gangs. Perhaps
I can go down there and be of assistance."
Go
down there? This petite well turned out Dane with the flaming red
hair and cultured European accent? Go down to the Nickerson Gardens
Housing Projects in Watts; the "Killing Fields," and be of assistance.
Well,
damned if she didn't do exactly that and turn 23 hard core teenage
Bloods gangmembers into the finely polished cast of "Crossfire,"
the 45 minute video stage play that was credited by the Los Angeles
Times as being the first serious effort by the LA Gangs to stop
the war. A war that had claimed more than 10,000 young lives before
this lady had decided enough was enough.
Now,
18 years later this 68 year old woman of steel and president of
the Wolf Foundation are on another seemingly impossible quest. She
has begun the development of "Tears of The Wolf," a 90 minute documentary
that seeks to portray the tracking and slaughter of the last truly
free species in the in North America. The Great Arctic White Wolf.
When
she told me about this dream of hers two years ago, from the comfort
of her cozy apartment overlooking beautiful Copenhagen, I said to
her. "But my dear, you are recovering from a surgery that nearly
cost you your life and the sub-Arctic tundra is no romp in the park."
Silly me.
To
think I could turn around a force of nature on the mission of a
lifetime. She patiently smiled and told me she would be leaving
for the Canadian Arctic in the summer. And so she did.
She
did 50 days in the Barrenlands of the Canadian Northwest Territories
as though it were simply yet another location scout. She brought
back the amazing story of the first Nations told to her by the elders.
The Dene Indian First Nation that continues to struggle to protect
the environment and it's wildlife from the encroaching "civilization".
Biologist, Dr. L. David Mech, one of the foremost authorities on
High Arctic wolves, states (in a recent article in WWF's Arctic
Bulletin) that the climatic change in the Arctic does not always
mean that temperatures are rising. Dr. Mech suggests that a colder
summer climate seems to play a part in the decline of the current
wolf population in the High Arctic.
Tracking
the ever-elusive white wolf for days on end was a cathartic experience
for Annett, as well as an emotional roller coaster ride of gloom,
insecurity and fear of failing. But most of all, it was an experience
of great joy and finally liberation. As Annett hiked and crawled
on her belly through endless sand eskers and tundra in pursuit of
the wolf, a mere change of wind could turn a hard day's work into
yet another disappointment. Of the experience, Annett states,"It
pushed me to the limit and inspired me to overcome my self-doubts,
thus opening my eyes to the wonders of this incredible land: it
taught me to see, hear, smell and listen again."
Annett
brought back the spectacular photos of the land that time forgot,
until the now of oil and mineral exploitation. And she brought back
the experience of tracking and waiting and watching and finally
encountering one of the most elusive of God's remaining renegades.
The Arctic White Wolf.
Annett
is bent upon bringing the plight of these few survivors to the world's
attention. Nordisk Film, one of Europe's largest and most important
film and television studios has taken the project under its wing
and those of us who know and honor this remarkable woman are actively
seeking to help her raise the $1.4 million it will take to realize
"Tears Of The Wolf" from a mission to a reality. If your company
would like to sponsor this important film click here
and allow the journey to begin.
The
Importance of Heroes.
The
story above is the true-to-life journey of one woman who has put
everything at risk to follow that which she believes to be important
in life. As our society becomes more and more homogeneous across
political boundaries and geographic time zones these values will
become increasingly important as the items that both separate us
and bring us together.
More
important than "product benefits" will become "Product Values".
Not "Value" but "Values." As we look at the story of Annett Wolf
and her journey, we need to consider what kind of companies might
prove to be consistent marketing partners for adventures such as
these. Because
in the Post-Advertising Era, brands will be judged by the company
they keep.
This
means that those responsible for the stewardship of a brand are
going to be required to pay far more attention to the "environment"
in which their products are presented.
Personality
evaluation by exposure alone ended with the lackluster sales impact
of Paris Hilton's over the top "Car Wash" commercial for Carl's
Jr. Recent "Skankvertising" outings with Maria Carey, Beyonce and
Britney Spears have also proven less then stellar investments for
their sponsors. Which begs the question, what is the difference
between "Celebrities" and "Heroes."
Well,
of course, the big difference is name recognition. A whole lot more
people know Britney Spears, than know Annett Wolf. That name recognition
establishes the difference in price between the two when it comes
to product endorsement. But the world is changing.
Post-Advertising
Era marketing decision makers now know that someone like Annett
Wolf will have far more credibility with consumers 49+ for a product
like Anacin, then will Britney Spears or Beonce.
Today's
consumers are far more skeptical about celebrity endorsements then
they are about sponsors underwriting a film that seeks to illuminate
a serious ecological issue or conservation concern. Television programming
executives refer to it as "takeaway." In otherwords, what does the
audience member gain as a result of watching a given show ( besides
mind rot ).
In the Age of Advertising, practitioners never even considered such
a factor. They were obsessed with values like "recall" and "persuasion,"
which ultimately resulted in white guys in gray flannel suits sitting
around talking about things that had no bearing whatsoever on the
perceptions of real people in the real world.
Meanwhile,
life provides us with heroes the little surfer girl who got her
arm eaten off by the shark, and then immediately went back into
the water. Dayam, now that's the kind of heroic stuff you can use
on any given work day you care to mention.
Stuff your brand can take to the bank. Heroes prove to us that you
can go up against insurmountable odds and emerge victorious, or
at least intact. They show us that the human condition, is in fact
"human," and not the airbrushed nipples of a Playboy centerfold
or the endless perfect hair days and Colgate smiles that have been
paraded past us as impossible roll models on endless 30 second potty
breaks.
In the Post-Advertising Era's horserace between celebrities and
heroes, the smart money will be on the heroes. And the celebrities
will be the brands that put their money on substance over style,
to win.
Stay
tuned .
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